Last week, I contributed to British author and journalist Roz Morris’ fascinating series “Undercover Soundtrack,” which explores the symbiotic relationship between music and literature. My piece discusses how music inspired many parts of the Bibliophiles series, including all three of the titles.
Here's a bit of it.
"The chance to delve into the '60s and the Pearsons’ background was too much fun to resist. Only a small child when the Hippies embarked on their psychedelic journey, I was drawn to their sense of freedom, something I had never felt growing up as an only child.
Every day while writing Spring’s childhood, the velvety smooth vocals of Jim Morrison in The Doors’ classic "Light My Fire" showed me a window to their world and explored quintessential sixties sounds. I mean, does anyone use an organ like that anymore? "Aquarius" belted out by the 5th Dimension and originally from the musical "Hair" signified pure freedom. Anything was possible if you opened your mind and let the sunshine in. That bass line underscores the funkiness of the dance. You can’t help but move.
That’s how I felt about the Pearsons. Sure, they might be potheads who left their eleven-year-old daughter in charge of their juice bar, but you can’t help but like them.
In contrast, Thaddeus’s family is traditional, and he, himself, is more formal. The Brandenburg Concertos played on repeat while writing his chapters. They helped me focus on structure and complexity. While driving, Thaddeus puts on the local classical music radio station hoping for Handel or a medieval madrigal."
Undercover Soundtrack offers a unique insight into the creative process. To read Roz's own piece for her critically acclaimed novel My Memories of a Future Life, click here.